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Unrehearsed Shakespeare Workshop
is the sword mightier than the pen?
Of course not. We all know the weight words carry. Especially when they are crafted by the master - Mr. Shakespeare. So we've combined these two mighty entities...
All of the verse. All of the battles. None of the rehearsal.
May 2010, in conjunction with the Central Illinois Stage Combat Workshop, we will be presenting an Unrehearsed Shakespeare Workshop. These two workshops will be run concurrently - students can enroll in either one - and participate in both. The weeklong Unrehearsed Shakespeare Workshop will culminate with students presenting a full length Shakespearean play.
Unrehearsed Shakespeare - may 17 to 22, 2010
not including morning combat
- Tentative Schedule - |
Monday - 1:00 - 5:00 PM |
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group training, cue-script technique |
Monday - 7:00 -10:00 PM |
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group training, punctuation and language |
Tuesday morning |
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cast list for Coriolanus posted |
Tuesday - 1:00 - 3:00 PM |
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scroll-building, division of technical responsibilites |
Tuesday - 3:00 - 5:00 PM |
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individual meetings* |
Tuesday - 7:00 - 10:00 PM |
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individual meetings |
Wednesday - 1:00 - 5:00 PM |
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individual meetings |
Wednesday - 7:00 -10:00 PM |
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individual meetings |
Thursday - 1:00 - 5:00 PM |
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individual meetings |
Thursday - 7:00 - 10:00 PM |
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practice scenes |
Friday - 1:00 - 5:00 PM |
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individual meetings |
Friday - 7:00 - 10:00 PM |
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practice scenes |
Saturday - 12:30 call |
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1:00pm rehearsed sequences; 2:00pm performance |
*During the individual meeting times, those workship participants not scheduled for
one-on-one meetings will be responsible for study and preparation of their roles, and for some small technical responsiblities including prop collections.
Workshop registrants are NOT to read Coriolanus under ANY circumstances!
It will really de-rail the fun if you study it.
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The ONLY materials you need to bring are:
highlight markers
performance shoes - absolutely NO flip-flops or sandals
jeans
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Mike Speck |
Get to know
A Master thespian
Mike Speck is a professional actor, stage manager, and fight choreographer, and an MFA graduate of Western Illinois University. There, he trained with DC Wright in stage combat and with Bill Kincaid in Unrehearsed Shakespeare technique, before graduating in 2005.
Mike’s performances and choreography have been seen across the eastern half of the US. Highlights include ensemble work in the Guthrie Theater’s production of Major Barbara, as well as Ko-Ko in The Mikado (Theater at Monmouth), Old Tom in The Lost Colony, and Friar Lawrence/Lord Capulet in Romeo & Juliet (GMT Productions). He created the roles of Aaron Grigsby and John Wilkes Booth in the world premiere of Lincoln at the Lincoln Amphitheatre in Indiana.
Unrehearsed credits include Malvolio in Twelfth Night, Northumberland in Richard II, and the Bishop of Canterbury/French King in Henry V; Mike also directed/coordinated an unrehearsed production of 2 Henry IV while at the Lincoln Amphitheatre. At the 2009 Bard in the Barn festival, he will be playing [not telling] in the production of [redacted until October!].
Mike is currently doing coursework in Project Management and Arts & Cultural Management at St. Mary’s University of Minnesota; he serves as the Mid-America Regional Representative for the Society of American Fight Directors, and as co-coordinator of the SAFD’s newest regional workshop, Carnage in the Corn.
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The Unrehearsed Shakespeare Workshop |
is sponsored by -
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